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Title	:	The Masterpiece (Les Rougon-Macquart #14)
Author	:	Émile Zola
Book Format	:	Paperback
Book Edition	:	Oxford World's Classics
Pages	:	Pages: 464 pages
Published	:	July 22nd 1999 by Oxford University Press (first published 1886)
Categories	:	Classics. Fiction. Cultural. France. European Literature. French Literature. Art. Literature. 19th Century

The Masterpiece (Les Rougon-Macquart #14)

Émile Zola

Paperback | Pages: 464 pages

Rating: 3.96 | 3064 Users | 207 Reviews

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The Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist who has come from the provinces to conquer Paris but is conquered instead by the flaws of his own genius. Set in the 1860s and 1870s, it is the most autobiographical of the twenty novels in Zola's Rougon-Macquart series. It provides a unique insight into Zola's career as a writer and his relationship with Cezanne, a friend since their schooldays in Aix-en-Provence. It also presents a well-documented account of the turbulent Bohemian world in which the Impressionists came to prominence despite the conservatism of the Academy and the ridicule of the general public.

Be Specific About Books In Favor Of The Masterpiece (Les Rougon-Macquart #14)

Original Title:	L'Œuvre
ISBN:	0192839632 (ISBN13: 9780192839633)
Edition Language:	English
Series:	Les Rougon-Macquart #14, Les Rougon-Macquart #14
Characters:	Claude Lantier, Pierre Sandoz, Louis Dubuche, Christine Hallegrain

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Ratings: 3.96 From 3064 Users | 207 Reviews

Write-Up Of Books The Masterpiece (Les Rougon-Macquart #14)

For most of us who know a little about Zolas life, the man is a hero. He is famous for denouncing the anti-Semitic persecution of Dreyfus, and hes a literary lion for his championing of a realism which portrayed French life warts and all and bravely spent a lifetime cocking a snook at the regime into the bargain. But in The Masterpiece he bares his soul and shares the struggle that underlies all work in the creative arts. He shows us the loneliness of innovation and the despair that accompanies

This is the story of a neurosis building up in a painter Zola has portrayed after Paul Cézanne, with fine impressionnistic descriptions to boot.Recommendations : Diary of a Madman and Other StoriesThe Picture of Dorian GrayThe Oval PortraitLes Nymphéas noirs---------L'histoire de Claude Lantier, peintre impressionniste inspiré par Paul Cézanne, en proie à un détraquement croissant à mesure qu'avance l'histoire. Les descriptions sont très travaillées et fournies et, comme l'annonce la quatrième

MasterpieceSure, I had some kind of an inkling of what the story might be about when I started reading. And I kinda guessed right. Also, the ending was pretty good. It was kind of a surprise but also, not. You see whilst reading where the characters are all heading. At times, the story is boringolo, I'm just gonna be frank about this. It felt like it was just a repetition of itself over and over but the circumstances got worse and worse. It's pretty Zola, I mean that kind of recurring theme

"Since we can't really create anything, since we're nothing more than a lot of feeble reproducers, we might just as well blow our brains out at once..."Boy! Ain't Zola the life of the party!In all seriousness though, this was a wonderful change of pace from the batshit excess of Gravity's Rainbow...My second dive into his Rougon-Macquart series and an almost equal pleasure to that of Germinal...Zola's prose is luscious and flows beautifully. He has a jaw dropping talent at rendering the fetid

This is Zola's most autobiographical novel and is the world of art and artists he knew well. His life long friend from school age was impressionist painter, Paul Cezanne. When he and Paul left Aix-en-Provence for Paris, Zola was introduced further into the art world and, in fact, was an art critic in his early years. Edouard Manet was so appreciative of an article favoring the new style of art that he painted Zola. As to this novel, there can be no doubt that the novelist Sandoz represents

You have this friend, a writer. Hes written this terrible bildungsroman about his tedious student exploits, I Want Vagina. You tell him tactfully that a 900-page, unspellchecked homage to sexual frustration doesnt fly in the marketplace. Your friend scurries off and signs up for a Creative Writing MA at Dorset Polytechnic, taught by Vernon D. Burns. He returns, a few months later, with a new 900-page spellchecked homage to sexual frustration, I Want to Squeeze Bosoms. You arrange for him to lose

One of the weaker R-M novels, but that doesn't carry the resonance it might have for another author since it's still quite superb. This is Zola's account of the rise of Impressionism and the stirrings of the ideas of the "modern" and the "new" in art during the Second Empire. He used his friendship with Cezanne and the lives of Manet, Monet and a few others to populate this book, which apparently pissed them all off! The poor schmuck of the titular obsession is Claude Lantier (Nana's